Investigative

Articles that analyse their subject matter very closely.

Obsessing over one script reader

Stop Obsessing About One Script Reader’s Notes

Obsessing About One Script Reader Here at Industrial Scripts, we get it all the time. You can almost hear the echoing footsteps of the query, before it arrives: “Can I have the same script reader as before?” It’s actually serendipitous this should be asked so frequently of late, because we’ve recently shifted to a new …

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american beauty narrative momentum

How To Generate Narrative Momentum in Screenplays

There’s a great quote from F. Hauser and R. Reich that states: “In all the best material, the outcome is inevitable and inherent in the opening moment and every moment inbetween”. Think how fated Daniel Plainview’s rise to power and fall into corruption feels throughout THERE WILL BE BLOOD or how unavoidable Travis Bickle’s descent …

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write omnisciently featured

Should Screenwriters Write “Omnisciently”?

To write omnisciently as a screenwriter often entails, for better or worse, including elements that may never show up onscreen: jokes in descriptions or insights into characters’ thoughts and histories that only a reader will ever truly experience and appreciate. This statement is unlikely to surprise anyone sentient, but film is a visual medium, and …

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Predator

Lessons From Timing the Death Sequence in PREDATOR

Way back when… For much of the 80’s and into the 90’s, “Schwarzenegger” was a byword for a movie with a high body count. The box office was peppered with movies such as COMMANDO, TOTAL RECALL and TRUE LIES, which would draw as much attention for the dozens of onscreen deaths as for their creative …

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