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Like much of Paul Thomas Anderson’s work, the BOOGIE NIGHTS screenplay has an odd structure, divergent POV and a hefty length, yet every page of it is full of worthwhile lessons for screenwriters. Here are ten: Conflict doesn’t need to be constant Conflict is often billed as screenwriting currency: you’re
PT Anderson A man who, remarkably, made a film of the quality of BOOGIE NIGHTS at just 27 years of age, PT Anderson has won a host of admirers over a two-decade career for his own, original brand of cinema. Like a kind of thematically-souped-up Tarantino, Anderson’s films and scripts
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