Obsessing About One Script Reader Here at Industrial Scripts, we get it all the time. You can almost hear the echoing footsteps of the query, before it arrives: “Can I have the same script reader as before?” It’s actually serendipitous this should be asked so frequently of late, because we’ve
Tag: Spec Scripts
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Something For Nothing – Writing Spec Scripts There’s a terrific viral that periodically does the rounds where a restaurateur advertises on Craigslist for a solo musician to play in his restaurant for five nights a week, with a specific set list, in exchange for free publicity and exposure. It’s a
How many times have you heard someone describe a film as “it’s something meets something”? Unoriginal, or the keys to producers’ bank vaults? Industrial Scripts examines how to improve your chances of a spec sale – without selling out your originality with a list of our invaluable screenwriting tips.
A Crazy Script Can Beat The Odds Every screenwriter at one time experiences the look of confusion and ridicule in the face of a friend, producer or agent when they pitch their craziest or most ambitious ideas – but fear not, even some of the greats were once in the
13 Stereotypes of the British Film Industry: True or False? Does the British film industry produce the best talent? Does the land of Shakespeare respect the writer? Is anything happening outside of London? Industrial Scripts assesses perceptions of the UK film industry – where do you stand on the following
10 British Screenwriters Who Broke Into Hollywood Our own screenwriting talent is well known on these shores – Simon Beaufoy, Richard Curtis, David Hare, Abi Morgan, Tom Stoppard, Peter Morgan, William Nicholson… the list is impressive. But what about Brit talent working in Hollywood? Industrial Scripts looks at British Screenwriters
As our article on Jeffrey Katzenberg highlighted, gathering industry intel is vital for making it in this business. Industrial Scripts looks to the best Twitter Screenwriting resources – from box office numbers, to job opportunities and just plain amusing screenwriters given a voice. Of course, there’s also our own @Indust_Scripts
Burning Bright Becoming a professional screenwriter is one thing, but staying at the top of the Hollywood screenwriters game is quite another. After last week’s look at Screenwriters Who Broke In Late, Industrial Scripts looks at those Hollywood screenwriters who hit the big time, but whose star gradually faded.
Despite the image of the wunderkind screenwriter a-la Orson Welles or Diablo Cody, many screenwriters broke in late to the game, with a wealth of wisdom and life experience to fuel their writing. As an encouragement to those who remember a time before the internet, or to those who are
“You can make the movie or you can make excuses” The path from script to screen is often torturous – but made longer when excuse making and defeatism set in. Industrial Scripts looks at common film industry excuses and defences no writer should be making – and how to overcome
After years of hard labour, you birth your fledgling screenplay Little Miss Sunshine to the world, the film grosses $100m and you take the reins to the Star Wars Empire (the writing side of things, not the keys to a Death Star). Congratulations, you are Michael Arndt. But such debut
*Just launched*: our latest 1-day training seminar, EVERYTHING AMERICA, for Producers, Directors and Writers with one eye on working in Hollywood. Covers every possible aspect incl. Unions, Agents, Managers, VISAs, where to stay, common pitfalls, the TV industry, huge contacts sheets & much more. 1st course date runs on SUNDAY
As in previous years, the UK and Irish film community have compiled a list of their most liked and recommended unproduced screenplays that make up the Brit List Scripts 2011. Out of over 160 screenplays nominated the projects below achieved the 3 votes or more needed in order to appear on
The Brit List 2010 was officially unveiled today. Compiled by those working in the UK and Irish film community, the Brit List is a selection of the most liked and recommended unproduced screenplays. The idea of assembling such a list originated from the U.S., where their misleadingly named Black List