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The Fourth Wall Break – How to Do it and Why An increasingly common device used in modern Film and Television, the fourth wall break can serve as a dynamic way of breaking down the barrier between an audience and a protagonist. However, when deployed inappropriately it can also
World Building in Film & TV: The Essential Steps If you’ve ever enjoyed losing yourself in the world of Harry Potter or Lord of the Rings, you know how important world building is. After all, world building is what makes us suspend our disbelief and fully sink into a
ORIGINAL CHARACTERS Series: Part 2 Welcome to Original Characters, an ongoing series of Industrial Scripts articles examining the most original characters to appear in both TV and film. Want to view the whole series? Here’s the link. What is an Original Character? What is an original character? It’s a
15 Genius Foreshadowing Examples in Film and TV Foreshadowing is typically used to enhance the audience’s experience of the intended themes and messages of the movie or TV show they are watching. Foreshadowing definition : a literary device in which a writer gives an advance hint of what is
ORIGINAL CHARACTERS Series: Part 1 Welcome to Original Characters, an ongoing series of articles that will examine the most original characters to appear in both TV and film. What is an Original Character? What is an original character? It’s a character that sticks with you even when they’re
There’s often an element of mystery or confusion surrounding script analysis services. Sitting at home, watching a bad film or TV show, it’s the easiest thing in the world to play “backseat writer.” The thinking goes: “I could write better than that. All I have to do is write something
This month’s featured industry guest at The Insider Interviews is Kitty Kaletsky of Black Bear Pictures. The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer
The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can view all the series’ previous guests
The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist
The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist
The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist
THE HAUNTING OF HILL HOUSE THE HAUNTING OF HILL HOUSE is a Netflix miniseries loosely adapted from the book by Shirley Jackson. It was created by horror maestro Mike Flanagan (OCULUS, GERALD’S GAME), who also directed every episode. It revolves around the Crain family who, as children, lived in a haunted
Follow my blog with Bloglovin Screenplay Font – Does It Matter? This article will explain what the industry-standard screenplay font is. As well as explaining what it is, we’ll look at the reasons why this is font holds the title of the industry-standard font for screenwriters and filmmakers alike. Additionally, we’ll explore
How to Pitch a TV Show: The Key Steps Writing is, obviously, a vital part of creating a TV Show. However, it is sadly not the only vital part of the process. Knowing how to pitch a TV show is crucial to getting it made. So what steps are
CATASTROPHE CATASTROPHE is a Channel 4 and Amazon Prime show. It’s created by, written by, and stars American comedian Rob Delaney and Irish writer-actress Sharon Horgan. It was nominated for a Peabody Award and Delaney and Horgan won a BAFTA for Best Writer: Comedy. The first episode of CATASTROPHE opens
Gus Fring BREAKING BAD, created by Vince Gilligan, introduced us to many great characters. Antihero Walter White (Brian Cranston), the cancer-diagnosed high school teacher who turns to making meth. Jesse Pinkman (Aaron Paul), his young sidekick, who was originally intended to die early on but proved a favourite. Hank Schrader
Before editing was created and perfected as its own art form, every film was in real time. (Although this isn’t entirely true: before sound, films were shown at whatever speed the projectionist decided.) However now, even though editing opens up so many possibilites, the real time screenplay is still popular.
Taylor Sheridan Taylor Sheridan got his start as an actor, his most notable role arriving in the form of Deputy Chief of Police David Hale in SONS OF ANARCHY. He transitioned this experience into screenwriting. Over a few years, he wrote SICARIO, HELL OR HIGH WATER, and SICARIO: DAY OF
Vince Gilligan Vince Gilligan got his start as a writer for THE X-FILES, but these days he’s best known as the creator, showrunner, writer and director of BREAKING BAD and its spin-off, BETTER CALL SAUL. Following the rise and fall of meek science teacher turned meth kingpin Walter White (Bryan
Understanding Screenplay Atmosphere Screenplay atmosphere is difficult. At the bottom of the poster for THEY CAME TOGETHER, a spoof of rom-coms, there’s a disclaimer: Please note: New York City plays such a central role in this story, it is almost like another character in the movie. Although intended as a compliment,
In our Genius Character Reveals series we examine scenes and moments where a film or TV show reveals a tremendous amount of character information in a compressed amount of screen time. This instalment focuses on Jim Hopper (David Harbour), the chief of the police department in the sleepy town of Hawkins, from
THE INSIDER INTERVIEWS: BEN ROBERTS The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch
Ryan Murphy Quotes Ryan Murphy is one of the few super-producers working in TV, along with the likes of Shonda Rimes and Greg Berlanti. His run of hit shows includes NIP/TUCK, GLEE, AMERICAN HORROR STORY, AMERICAN CRIME STORY, and FEUD. On the feature film side, he’s written and directed RUNNING WITH
The second act is all about escalating stakes. Absolute urgency. There’s a gap in the classic three act structure as extolled by many screenwriting books and teachers. The problem is the second act, which is usually the bulk of the story. Depending on your terminology of choice, you’ll likely find
Talent Connector, the free online script promotion bonus offered to qualifying Industrial Scripts clients, has been expanded this month with the launch of Talent Connector LIVE. TCL is open to OVERDRIVE members only, and will run alongside and in addition to IS’ popular Insider Interviews series. The regular private pitch-networking
THE INSIDER INTERVIEWS: DUNCAN HEATH The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch
THE INSIDER INTERVIEWS: CARYN MANDABACH The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here.
In our Genius Character Reveals series we examine scenes and moments where a film or TV show reveals a tremendous amount of character information in a compressed amount of screen time. This instalment focuses on FBI special agent Bill Tench (Holt McCallany) from MINDHUNTER. Bill Tench and MINDHUNTER MINDHUNTER is a
In our Genius Character Reveals series we examine scenes and moments where a film or TV show reveals a tremendous amount of character information in a compressed amount of screen time. This instalment focuses on Rebecca Bunch (Rachel Bloom), the title character from The CW musical dramedy show CRAZY EX-GIRLFRIEND.
The 10 Best Literary Agents for Writers As a screenwriter, it can be confusing navigating the multitude of literary agents out there. Big or small, almost all literary agents won’t accept unsolicited material. Many specify that unsolicited material will be returned or destroyed unread, in order to protect them
Writing great dialogue is difficult, but one way to get a step closer is through the use of subtext. Subtext, literally what is below the text, is the deeper implication behind the surface meaning. Dialogue is not the same as real speech. Dialogue is inevitably heightened, even if it’s simply a
With the dominance of superhero and tentpole films, sometimes it seems like there’s no place in cinema for everyday heroes. Most audiences don’t want their reality simply reflected back to them. However, there are still degrees between these extremes. It’s still possible to engage an audience by showing everyday heroes on screen. As
History is, to gently mutilate a great quote, often stranger than fiction, which is what makes it such a great basis for fiction. Of course, mining history for a solid TV script isn’t as simple as shoving a good story into a period setting. So what makes for a good
THE INSIDER INTERVIEWS: RHODRI THOMAS The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch
The ‘building-block’ nature of screenwriting is such that any screenwriter needs a selection box of varying skills. As you’d expect then, different screenwriters tend to find themselves drawn to, and more skilled at, certain aspects of the process. Whether it’s creative story ideas, unique characters, or a structure so tight,
In our Genius Character Reveals series we examine scenes and moments where a film or TV show reveals a tremendous amount of character information in a compressed amount of screen time. This month’s instalment focuses on FBI agent Dale Cooper (Kyle Maclachlan), the lead character from TWIN PEAKS. Dale Cooper and TWIN PEAKS TWIN PEAKS is the
When a TV or Movie Setting IS A Character In the Narrative… Ask yourself this: what is a TV or movie setting? Really think about it. Is it just a backdrop on which to stage the events of your story? A static playground, conveying only time and place? Or can
12 Quotes about the Importance of Networking No matter if you are a producer, writer or director, a would-be executive or talent agent, if you want to crack film and TV you have to make yourself known. There is no escaping the necessity of attending events, arranging meetings and introducing yourself
THE INSIDER INTERVIEWS: PAUL WEBSTER The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist as live monthly events in central
This is a true story. The events depicted in this film took place in Minnesota in 1987. At the request of the survivors, the names have been changed. Out of respect for the dead, the rest has been told exactly as it occurred. The Coen brothers began their film FARGO
It goes without saying that reading a script does not have the same sensory effect on a human being as watching a film or TV show. That’s because there are certain types of scene that can only be properly realised on screen. Sometimes the most memorable and visually impactful scenes
THE INSIDER INTERVIEWS: NISHA PARTI The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist as live monthly events in central
We all know that most good characters undergo some kind of change over the course of their story. Whether it’s a change in perspective, circumstance or goal, WE as the audience feel closer to the character, having witnessed their growth. But when audience members learn to expect character growth, it
Genius Character Reveals Welcome to the first of our new series: GENIUS CHARACTER REVEALS. In this series we’ll look at scenes and moments where the film or TV screenwriter/director has revealed a great deal of character information in a compressed amount of screen time. As a courtly bow in the
Understanding The Riddle of Tone The release of BATMAN V SUPERMAN: DAWN OF JUSTICE is an appropriate moment to talk about tone, one of the least understood tools in the screenwriter’s toolbox. In the broadest sense, tone can be classified as comic, dramatic or tragic, but even within these “master”
About THE INBETWEENERS script Before we get into the cases “for” and “against” both the script reader and their report on THE INBETWEENERS script, let’s just remind ourselves what he/she was reporting on! If you’ve never heard of British TV comedy THE INBETWEENERS, you’re probably either not based in
A Screenwriting Salary – how much do scribes REALLY earn? Although it’s hard to get on the screenwriting salary ladder and even harder to stay on it – let alone climb beyond the middle rung – it is possible to make a living as a screenwriter (though Herculean levels of
Linear Storytelling Power How important is the straight-and-narrow in screenwriting? Can so-called conformity actually get you noticed? As screenwriters, we are left to own imaginations to find ides that strike a balance between what may be fun to us and what could resonate with a wider audience. This hunt for the
In a giant sea of screenwriting tips and advice, where does one begin? It’s almost as bad as dieting these days. Cranberries are bad for you. No, scrap that, we’ve now decided they’re good for you. Your protagonist should dominate most scenes. It’s fine for your protagonist to drift in
You’ve rewritten, redrafted, typed ‘Fade Out’ more times than you can count. You’re finally satisfied that your script, the one you’ve poured months maybe even years into writing, is finished. Now what? For most writers, the endgame is seeing their script up on the big screen or on television, and
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