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The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can view all the series’ previous guests
The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist
The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist
The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist
THE HAUNTING OF HILL HOUSE THE HAUNTING OF HILL HOUSE is a Netflix miniseries loosely adapted from the book by Shirley Jackson. It was created by horror maestro Mike Flanagan (OCULUS, GERALD’S GAME), who also directed every episode. It revolves around the Crain family who, as children, lived in a haunted
Follow my blog with Bloglovin Screenplay Font – Does It Matter? This article will explain what the industry-standard screenplay font is. As well as explaining what it is, we’ll look at the reasons why this is font holds the title of the industry-standard font for screenwriters and filmmakers alike. Additionally, we’ll explore
How to Pitch a TV Show: The Key Steps Writing is, obviously, a vital part of creating a TV Show. However, it is sadly not the only vital part of the process. Knowing how to pitch a TV show is crucial to getting it made. So what steps are
CATASTROPHE CATASTROPHE is a Channel 4 and Amazon Prime show. It’s created by, written by, and stars American comedian Rob Delaney and Irish writer-actress Sharon Horgan. It was nominated for a Peabody Award and Delaney and Horgan won a BAFTA for Best Writer: Comedy. The first episode of CATASTROPHE opens
Gus Fring BREAKING BAD, created by Vince Gilligan, introduced us to many great characters. Antihero Walter White (Brian Cranston), the cancer-diagnosed high school teacher who turns to making meth. Jesse Pinkman (Aaron Paul), his young sidekick, who was originally intended to die early on but proved a favourite. Hank Schrader
Before editing was created and perfected as its own art form, every film was in real time. (Although this isn’t entirely true: before sound, films were shown at whatever speed the projectionist decided.) However now, even though editing opens up so many possibilites, the real time screenplay is still popular.
Taylor Sheridan Taylor Sheridan got his start as an actor, his most notable role arriving in the form of Deputy Chief of Police David Hale in SONS OF ANARCHY. He transitioned this experience into screenwriting. Over a few years, he wrote SICARIO, HELL OR HIGH WATER, and SICARIO: DAY OF
Vince Gilligan Vince Gilligan got his start as a writer for THE X-FILES, but these days he’s best known as the creator, showrunner, writer and director of BREAKING BAD and its spin-off, BETTER CALL SAUL. Following the rise and fall of meek science teacher turned meth kingpin Walter White (Bryan
Understanding Screenplay Atmosphere Screenplay atmosphere is difficult. At the bottom of the poster for THEY CAME TOGETHER, a spoof of rom-coms, there’s a disclaimer: Please note: New York City plays such a central role in this story, it is almost like another character in the movie. Although intended as a compliment,
In our Genius Character Reveals series we examine scenes and moments where a film or TV show reveals a tremendous amount of character information in a compressed amount of screen time. This instalment focuses on Jim Hopper (David Harbour), the chief of the police department in the sleepy town of Hawkins, from
THE INSIDER INTERVIEWS: BEN ROBERTS The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch
Ryan Murphy Quotes Ryan Murphy is one of the few super-producers working in TV, along with the likes of Shonda Rimes and Greg Berlanti. His run of hit shows includes NIP/TUCK, GLEE, AMERICAN HORROR STORY, AMERICAN CRIME STORY, and FEUD. On the feature film side, he’s written and directed RUNNING WITH
The second act is all about escalating stakes. Absolute urgency. There’s a gap in the classic three act structure as extolled by many screenwriting books and teachers. The problem is the second act, which is usually the bulk of the story. Depending on your terminology of choice, you’ll likely find
Talent Connector, the free online script promotion bonus offered to qualifying Industrial Scripts clients, has been expanded this month with the launch of Talent Connector LIVE. TCL is open to OVERDRIVE members only, and will run alongside and in addition to IS’ popular Insider Interviews series. The regular private pitch-networking
THE INSIDER INTERVIEWS: DUNCAN HEATH The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch
THE INSIDER INTERVIEWS: CARYN MANDABACH The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here.
In our Genius Character Reveals series we examine scenes and moments where a film or TV show reveals a tremendous amount of character information in a compressed amount of screen time. This instalment focuses on FBI special agent Bill Tench (Holt McCallany) from MINDHUNTER. Bill Tench and MINDHUNTER MINDHUNTER is a
In our Genius Character Reveals series we examine scenes and moments where a film or TV show reveals a tremendous amount of character information in a compressed amount of screen time. This instalment focuses on Rebecca Bunch (Rachel Bloom), the title character from The CW musical dramedy show CRAZY EX-GIRLFRIEND.
The 10 Best Literary Agents for Writers in 2018 As a screenwriter, it can be confusing navigating the multitude of literary agents out there. Big or small, almost all literary agents won’t accept unsolicited material. Many specify that unsolicited material will be returned or destroyed unread, in order to
Writing great dialogue is difficult, but one way to get a step closer is through the use of subtext. Subtext, literally what is below the text, is the deeper implication behind the surface meaning. Dialogue is not the same as real speech. Dialogue is inevitably heightened, even if it’s simply a
With the dominance of superhero and tentpole films, sometimes it seems like there’s no place in cinema for everyday heroes. Most audiences don’t want their reality simply reflected back to them. However, there are still degrees between these extremes. It’s still possible to engage an audience by showing everyday heroes on screen. As
History is, to gently mutilate a great quote, often stranger than fiction, which is what makes it such a great basis for fiction. Of course, mining history for a solid TV script isn’t as simple as shoving a good story into a period setting. So what makes for a good
THE INSIDER INTERVIEWS: RHODRI THOMAS The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch
The ‘building-block’ nature of screenwriting is such that any screenwriter needs a selection box of varying skills . As you’d expect, different screenwriters tend to find themselves drawn to, and more skilled at, certain aspects of the process. Whether its creative story ideas, unique characters, or a structure so tight,
In our Genius Character Reveals series we examine scenes and moments where a film or TV show reveals a tremendous amount of character information in a compressed amount of screen time. This month’s instalment focuses on FBI agent Dale Cooper (Kyle Maclachlan), the lead character from TWIN PEAKS. Dale Cooper and TWIN PEAKS TWIN PEAKS is the
12 Quotes about the Importance of Networking No matter if you are a producer, writer or director, a would-be executive or talent agent, if you want to crack film and TV you have to make yourself known. There is no escaping the necessity of attending events, arranging meetings and introducing yourself
THE INSIDER INTERVIEWS: PAUL WEBSTER The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist as live monthly events in central
This is a true story. The events depicted in this film took place in Minnesota in 1987. At the request of the survivors, the names have been changed. Out of respect for the dead, the rest has been told exactly as it occurred. The Coen brothers began their film FARGO
It goes without saying that reading a script does not have the same sensory effect on a human being as watching a film or TV show. That’s because there are certain types of scene that can only be properly realised on screen. Sometimes the most memorable and visually impactful scenes
THE INSIDER INTERVIEWS: NISHA PARTI The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist as live monthly events in central
We all know that most good characters undergo some kind of change over the course of their story. Whether it’s a change in perspective, circumstance or goal, WE as the audience feel closer to the character, having witnessed their growth. But when audience members learn to expect character growth, it
Genius Character Reveals Welcome to the first of our new series: GENIUS CHARACTER REVEALS. In this series we’ll look at scenes and moments where the film or TV screenwriter/director has revealed a great deal of character information in a compressed amount of screen time. As a courtly bow in the
Understanding The Riddle of Tone The release of BATMAN V SUPERMAN: DAWN OF JUSTICE is an appropriate moment to talk about tone, one of the least understood tools in the screenwriter’s toolbox. In the broadest sense, tone can be classified as comic, dramatic or tragic, but even within these “master”
About THE INBETWEENERS script Before we get into the cases “for” and “against” both the script reader and their report on THE INBETWEENERS script, let’s just remind ourselves what he/she was reporting on! If you’ve never heard of British TV comedy THE INBETWEENERS, you’re probably either not based in
A Screenwriting Salary – how much do UK scribes REALLY earn? Although it’s hard to get on the screenwriting salary ladder and even harder to stay on it – let alone climb beyond the middle rung – it is possible to make a living as a screenwriter (though Herculean levels
Linear Storytelling Power How important is the straight-and-narrow in screenwriting? Can so-called conformity actually get you noticed? As screenwriters, we are left to own imaginations to find ides that strike a balance between what may be fun to us and what could resonate with a wider audience. This hunt for the
In a giant sea of screenwriting tips and advice, where does one begin? It’s almost as bad as dieting these days. Cranberries are bad for you. No, scrap that, we’ve now decided they’re good for you. Your protagonist should dominate most scenes. It’s fine for your protagonist to drift in
You’ve rewritten, redrafted, typed ‘Fade Out’ more times than you can count. You’re finally satisfied that your script, the one you’ve poured months maybe even years into writing, is finished. Now what? For most writers, the endgame is seeing their script up on the big screen or on television, and
What is the BBC Writers Room? Writing may be a solitary task and, frankly, that’s often one of the things that appeals to those of us who do it, but every writer needs help before their work is ready to find an audience. For new writers, it’s essential and that
A couple of months ago I had a friend round for dinner who just so happens to be the Head of Development at one of the best TV companies in London. In a series of what appeared to be ginormous coincidences, I also just so happened to have recently completed a
You’re no stranger to getting advice if you’re a writer. Thousands of books, hundreds of films, and even entire college majors have been dedicated to the art of honing the English language. As a result, there are bound to be some bits of writing advice that come into debate. While
Unheralded Scene: TOGETHERNESS (2015) In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy” scenes and set-pieces. It
THE NEWSROOM This post started as a tweet, developed into a Facebook status and is now finding full expression as a blog post. recently I finished, in a double-bill, The Newsroom Season 3 (and, by extension, The Newsroom). Some observations: The Observations 1. Humbug to the naysayers. So it’s
Like it or lump it, the role of the industry script is becoming increasingly important in film and TV. With the volume of scripts being written, increasing year-on-year, the challenge for those in power becomes one of filtration – everybody wants great writers and everyone wants hits, right? But hardly anyone
How to Write a Screenplay: Your 30-Step Guide. So – you want to learn how to write a screenplay. You think about it constantly. Whenever you watch a movie you annoy your friends, going on about how you could have written a better script. You daydream about Jimmy Kimmel
All Screenwriters LOVE Moaning Because there’s been quite a lot in the press lately about the plight (or otherwise) of women screenwriters, I’ve been thinking a bit lately about whether I think I’m hard done by because of my sex (sex as in female, not sex as in, I’ve been trying
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