15 Amy Sherman-Palladino Quotes for Writers and Filmmakers Amy Sherman-Palladino has no qualms with being known as a challenging artist. Refusing to be bound by network limitations, her unique style has carved her out as a distinctive figure in the television landscape. Originally planning to be a dancer, Sherman-Palladino’s
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This month’s featured industry guest at The Insider Interviews is Rob Sprackling. A screenwriter known for his work on THE QUEEN’S CORGI (2019) and GNOMEO AND JULIET (2011) The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH,
15 Great Spike Lee Quotes Spike Lee, with 32 years of film experience, is a figure that any aspiring writer and filmmaker can learn from. His breakthrough debut film SHE’S GOTTA HAVE IT, a lighthearted comedy, exceeded all box office expectations giving Lee future creative freedom. He chose to dive
Christopher McQuarrie After an inauspicious few years working at a detective agency, Christopher McQuarrie broke out as a screenwriter with two collaborations with director Bryan Singer. PUBLIC ACCESS won the Grand Jury Prize at the Sundance Film Festival, but it was soon eclipsed by THE USUAL SUSPECTS, for which McQuarrie
Taylor Sheridan Taylor Sheridan got his start as an actor, his most notable role arriving in the form of Deputy Chief of Police David Hale in SONS OF ANARCHY. He transitioned this experience into screenwriting. Over a few years, he wrote SICARIO, HELL OR HIGH WATER, and SICARIO: DAY OF
Vince Gilligan Vince Gilligan got his start as a writer for THE X-FILES, but these days he’s best known as the creator, showrunner, writer and director of BREAKING BAD and its spin-off, BETTER CALL SAUL. Following the rise and fall of meek science teacher turned meth kingpin Walter White (Bryan
Talent Connector, the free online script promotion bonus offered to qualifying Industrial Scripts clients, has been expanded this month with the launch of Talent Connector LIVE. TCL is open to OVERDRIVE members only, and will run alongside and in addition to IS’ popular Insider Interviews series. The regular private pitch-networking
The ‘building-block’ nature of screenwriting is such that any screenwriter needs a selection box of varying skills. As you’d expect then, different screenwriters tend to find themselves drawn to, and more skilled at, certain aspects of the process. Whether it’s creative story ideas, unique characters, or a structure so tight,
The World’s Highest Paid Screenwriters Screenwriting can mean seriously big money for those at the top. After all, screenplays usually account for around 1-3% of a film’s budget, and when a budget soars (as Hollywood tentpoles and Netflix originals often do)…well…get your calculator out. Some screenwriters can start breaking
Where is the celebrated female talent? Where is the celebrated female talent in screenwriting & directing? Recent figures cast a gloomy picture; employment of women in film and TV has fallen to 15 year lows; only two female directed films cracked 2013’s Top 100 Box Office, with Kimberley
A Crazy Script Can Beat The Odds Every screenwriter at one time experiences the look of confusion and ridicule in the face of a friend, producer or agent when they pitch their craziest or most ambitious ideas – but fear not, even some of the greats were once in the
10 British Screenwriters Who Broke Into Hollywood Our own screenwriting talent is well known on these shores – Simon Beaufoy, Richard Curtis, David Hare, Abi Morgan, Tom Stoppard, Peter Morgan, William Nicholson… the list is impressive. But what about Brit talent working in Hollywood? Industrial Scripts looks at British Screenwriters
As our article on Jeffrey Katzenberg highlighted, gathering industry intel is vital for making it in this business. Industrial Scripts looks to the best Twitter Screenwriting resources – from box office numbers, to job opportunities and just plain amusing screenwriters given a voice. Of course, there’s also our own @Indust_Scripts
Burning Bright Becoming a professional screenwriter is one thing, but staying at the top of the Hollywood screenwriters game is quite another. After last week’s look at Screenwriters Who Broke In Late, Industrial Scripts looks at those Hollywood screenwriters who hit the big time, but whose star gradually faded.
Despite the image of the wunderkind screenwriter a-la Orson Welles or Diablo Cody, many screenwriters broke in late to the game, with a wealth of wisdom and life experience to fuel their writing. As an encouragement to those who remember a time before the internet, or to those who are
“You can make the movie or you can make excuses” The path from script to screen is often torturous – but made longer when excuse making and defeatism set in. Industrial Scripts looks at common film industry excuses and defences no writer should be making – and how to overcome
Mid-Budget Movies Fading After Spielberg and Lucas’ dire warnings on the future of the film industry and the growing box office prominence of high budget tentpole releases, many audience members are asking; where are the mid-budget movies classics of yesteryear? Industrial Scripts breaks down the reasons behind the loss of
In America, screenwriters can earn an average annual wage of $77,260. At least, that’s what the Bureau of Labour Statistics tells us. The evidence is there: Bill Marsilii and Terry Rossio earned $5m for their spec of DEJA VU, while M. Night Shyamalan took home a healthy pay packet of £2.5m for THE
After years of hard labour, you birth your fledgling screenplay Little Miss Sunshine to the world, the film grosses $100m and you take the reins to the Star Wars Empire (the writing side of things, not the keys to a Death Star). Congratulations, you are Michael Arndt. But such debut
As in previous years, the UK and Irish film community have compiled a list of their most liked and recommended unproduced screenplays that make up the Brit List Scripts 2011. Out of over 160 screenplays nominated the projects below achieved the 3 votes or more needed in order to appear on
The Brit List 2010 was officially unveiled today. Compiled by those working in the UK and Irish film community, the Brit List is a selection of the most liked and recommended unproduced screenplays. The idea of assembling such a list originated from the U.S., where their misleadingly named Black List