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49 Fixable Reasons A Screenplay Reader Passed On Your Project Every writer has experienced that moment of wanting to throw the towel in after getting rejected. However, it’s important not to be defeated by the thoughts of the person typically on the other end of your screenplay: The Screenplay
Obsessing About One Script Reader Here at Industrial Scripts, we get it all the time. You can almost hear the echoing footsteps of the query, before it arrives: “Can I have the same script reader as before?” It’s actually serendipitous this should be asked so frequently of late, because we’ve
About THE INBETWEENERS script Before we get into the cases “for” and “against” both the script reader and their report on THE INBETWEENERS script, let’s just remind ourselves what he/she was reporting on! If you’ve never heard of British TV comedy THE INBETWEENERS, you’re probably either not based in
Like it or lump it, the role of the industry script reader is becoming increasingly important in film and TV. With the volume of scripts being written, increasing year-on-year, the challenge for those in power becomes one of filtration – everybody wants great writers and everyone wants hits, right? But
“Will you read my script for me?” Gah. Five words to strike fear into the heart of anyone with eyes. As a former Development Exec, it’s something I hear an awful lot and, sometimes, I have to punch myself alive to remember that, indeed, it had been my chosen career
As our article on Jeffrey Katzenberg highlighted, gathering industry intel is vital for making it in this business. Industrial Scripts looks to the best Twitter Screenwriting resources – from box office numbers, to job opportunities and just plain amusing screenwriters given a voice. Of course, there’s also our own @Indust_Scripts
Burning Bright Becoming a professional screenwriter is one thing, but staying at the top of the Hollywood screenwriters game is quite another. After last week’s look at Screenwriters Who Broke In Late, Industrial Scripts looks at those Hollywood screenwriters who hit the big time, but whose star gradually faded.
Despite the image of the wunderkind screenwriter a-la Orson Welles or Diablo Cody, many screenwriters broke in late to the game, with a wealth of wisdom and life experience to fuel their writing. As an encouragement to those who remember a time before the internet, or to those who are
“You can make the movie or you can make excuses” The path from script to screen is often torturous – but made longer when excuse making and defeatism set in. Industrial Scripts looks at common film industry excuses and defences no writer should be making – and how to overcome
One of the questions we’re asked most at Industrial Scripts is, “how do I build a career in script development?” It’s not an exact science by any means, but the key to getting ahead in script development is to pay your dues. The blunt truth is that Ridley Scott is
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