One of the biggest humps to get over when writing for film or television is dialogue. Even if you have a perfect story, outline, and characters, bad dialogue can bring the whole operation down. 99% of the time, what you need is to have realistic dialogue. Of course, not every project needs realistic dialogue all the time (see: The Grand Budapest Hotel). But unless your premise and tone align along wacky lines or you have a specific stylistic remit, it’s
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