The critical acclaim, awards nominations and profoundly-felt audience reaction to ROOM highlight one of the most powerful tools in the screenwriter’s armoury – your choice of protagonist. Whether you’re writing a feature script or TV pitch or pilot, if you’ve already decided on a protagonist it’s still worth asking yourself: is there a more interesting alternative? If you don’t have a strong, engaging (and potentially innovative) protagonist, an effective way to seek one out is to start with a situation,
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