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On the Nose Dialogue: How to Lose It or Use It in Screenwriting Granted, writing on the nose dialogue might not be the greatest sin in screenwriting terms. But it’s often the quickest way for a screenplay reader to view your work as unprofessional and, frankly, amateur. Sometimes, what was
Writing great dialogue is difficult, but one way to get a step closer is through the use of subtext. Subtext, literally what is below the text, is the deeper implication behind the surface meaning. Dialogue is not the same as real speech. Dialogue is inevitably heightened, even if it’s simply a
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