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The Insider Interviews: Michael Kuhn
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The Insider Interviews: Michael Kuhn

THE INSIDER INTERVIEWS: MICHAEL KUHN The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist as live monthly events in central

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Social - Quotes about the Importance of Networking in Film & TV
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12 Quotes about the Importance of Networking in Film & TV

12 Quotes about the Importance of Networking No matter if you are a producer, writer or director, a would-be executive or talent agent, if you want to crack film and TV you have to make yourself known. There is no escaping the necessity of attending events, arranging meetings and introducing yourself

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Great Ingmar Bergman Quotes
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20 Great Ingmar Bergman Quotes on Storytelling

One of the most influential auteurs of all time, Ernst Ingmar Bergman was born in Sweden and worked as a director, producer and writer across and theatre and screen. He directed over sixty films and documentaries, most of which he also wrote, and directed 170 plays. His most well-known films

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mid film plot twist john doe surrenders
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10 Classic Mid-Film Plot Twists by Screenwriters

10 Great Mid-Film Plot Twists by Screenwriters Too often when watching a film, especially for those of us who have seen many of them, you can read where the story is going and predict what is going to happen onscreen prematurely. However, those screenwriters in pursuit of something that will

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Ned, supporting character, Groundhog Day
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OPINION: Support Your Supporting Characters

While it’s true that the star system is not what it once was, actors can still have tremendous power. Many actors have their own production companies, partly as a route for finding interesting material off the beaten path of Hollywood. Look down Plan B Entertainment’s list of projects and imagine how many would have been

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Charlize Theron in Young Adult
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GENIUS CHARACTER REVEALS: Young Adult

In this series we look at scenes and moments where a film or TV show has revealed a great deal of character information in a short amount of screen time. Screenwriter Diabo Cody and director Jason Reitman first collaborated on the smash hit JUNO. In 2011 they re-teamed for the indie dramedy

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taken liam neeson 750 x 400
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In Screenwriting terms, what is ‘tracking’?

In screenwriting terms, ‘tracking’ refers to being able to follow or ‘track’ the logic of a premise smoothly. The moment the audience starts to think that the story does not make sense – that the logic of the premise being presented to them doesn’t “track” – their oh-so-fragile suspension of

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Secondary Characters in THE BIG LEBOWSKI
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10 Classic Secondary Characters in THE BIG LEBOWSKI

The Coen Brothers‘ ability to create amazing, ultra-memorable secondary characters with only a few lines of writing  is something that all screenwriters can learn from. Consider the giant sea of utterly forgettable characters you’ve seen on-screen in your lifetime. Characters that had pages and pages and pages devoted to them,

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Locke - The Insider Interviews: Paul Webster
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The Insider Interviews: Paul Webster

THE INSIDER INTERVIEWS: PAUL WEBSTER The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist as live monthly events in central

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Tallahassee has a drink in Zombieland
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GENIUS CHARACTER REVEALS: Tallahassee

In this series we look at scenes and moments where a film or TV show has revealed a great deal of character information in a short amount of screen time. ZOMBIELAND began life as a TV pilot by writing partners Rhett Reese and Paul Wernick (later behind DEADPOOL). Even in its

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Fargo - a true story?
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OPINION: This Is (Not) A True Story

This is a true story. The events depicted in this film took place in Minnesota in 1987. At the request of the survivors, the names have been changed. Out of respect for the dead, the rest has been told exactly as it occurred. The Coen brothers began their film FARGO

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John Ford - Storytelling Quotes
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15 Classic John Ford Quotes about Storytelling

The legendary director John Ford enjoyed a remarkably long and successful career, working on over 140 films and winning four Academy Awards for Best Director. His most well known films include: STAGECOACH, THE MAN WHO SHOT LIBERTY VALANCE and THE GRAPES OF WRATH. Ford is noted for the precision of

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Inception - Scene that Works Onscreen but Not on the Page
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10 Types of Scene that Work Onscreen but Not on the Page

It goes without saying that reading a script does not have the same sensory effect on a human being as watching a film or TV show. That’s because there are certain types of scene that can only be properly realised on screen. Sometimes the most memorable and visually impactful scenes

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The Insider Interviews: Nisha Parti
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The Insider Interviews: Nisha Parti

THE INSIDER INTERVIEWS: NISHA PARTI The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist as live monthly events in central

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goodfellas
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10 Moments Where Problem Upon Problem Hits the Protagonist

Conflict is essential in every great story. The amount and complexity of the situation can obviously vary greatly depending on the scope, settings and characters involved. In some cases, loading problem upon problem on your character(s) is important in that it shows what they are made of or it shows

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Art of Misdirection
Craft

OPINION: The Art of Misdirection

** SPOILER ALERT: this article reveals key plot points from THE WITCH and THE PRESTIGE ** Holed up alone and away from the world, it can be too easy for screenwriters to forget that films are made for audiences. It’s important to consider what the audience is thinking at each point in

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Jay Cavendish in Slow West
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GENIUS CHARACTER REVEALS: Jay Cavendish

Genius Character Reveals: Jay Cavendish In this series we look at scenes and moments where a film or TV show has revealed a great deal of character information in a compressed period of screen time. It seems improbable: a Western from a Scottish writer-director, produced and shot in the UK and

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character arcs
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10 Extreme Character Arcs in Film & TV

We all know that most good characters undergo some kind of change over the course of their story. Whether it’s a change in perspective, circumstance or goal, WE as the audience feel closer to the character, having witnessed their growth.  But when audience members learn to expect character growth, it

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Slings and Arrows, Geoffrey Tennant, Genius Character Reveals, Character Intro, Hamlet
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GENIUS CHARACTER REVEALS: Geoffrey Tennant

Genius Character Reveals Welcome to the first of our new series: GENIUS CHARACTER REVEALS. In this series we’ll look at scenes and moments where the film or TV screenwriter/director has revealed a great deal of character information in a compressed amount of screen time. As a courtly bow in the

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scope, stakes, scale, 10 Cloverfield Lane
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OPINION: Scope, Scale and Stakes

** SPOILER ALERT: this article reveals key plot points from 10 CLOVERFIELD LANE ** Scoped Out 10 CLOVERFIELD LANE is an object lesson in the canny use of scale and stakes. It’s also a brilliant example of the use of scope, one of the most effective – but often neglected

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The Insider Interviews by Industrial Scripts
British Film

The Insider Interviews: Celine Haddad

THE INSIDER INTERVIEWS: CELINE HADDAD The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist as live monthly events in

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Empire Magazine Articles For Screenwriters
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10 Great Empire Magazine Articles For Screenwriters

Empire Magazine has been a staple in the film industry for many years. The magazine, and now the website, is seen as one of the world’s leading authorities on film-related content and news. Here at Industrial Scripts we’ve trawled through the impressive back-catalogue of Empire Magazine Articles to bring you ten

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Tone
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OPINION: The Riddle of Tone

Understanding The Riddle of Tone The release of BATMAN V SUPERMAN: DAWN OF JUSTICE is an appropriate moment to talk about tone, one of the least understood tools in the screenwriter’s toolbox. In the broadest sense, tone can be classified as comic, dramatic or tragic, but even within these “master”

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V for Vendetta
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Unheralded Scene: V FOR VENDETTA (2006)

In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy” scenes and set-pieces. It might be a deleted

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The Insider Interviews - Caroline Harvey
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The Insider Interviews – Caroline Harvey

THE INSIDER INTERVIEWS: CAROLINE HARVEY The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist as live monthly events in

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writing characters
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Writing Characters That FASCINATE – The Ultimate PDF Guide

The key is writing characters that – crucially – fascinate…   Writing great, multi-dimensional characters is one of the hardest – and most important – facets to successful screenwriting. The Holy Grail of characterization – beyond writing empathetic characters, or entertaining characters, or even original characters – is writing fascinating

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The Insider Interviews: Bradley Quirk
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The Insider Interviews: Bradley Quirk

THE INSIDER INTERVIEWS: BRADLEY QUIRK The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist as live monthly

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Putting Treatments on the Couch
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How to Write a Film or TV Treatment

Putting A Film or TV Treatment on the Couch Treatments are misunderstood and undervalued. It’s time to investigate why they’re an invaluable tool in the screenwriter’s toolbox. Imagination can be the writer’s worst enemy. Imagining your story in too many genres rather than choosing one (or maybe two) and consequently

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Unheralded Scene: THE WOMAN IN BLACK
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Unheralded Scene: THE WOMAN IN BLACK (2012)

Focus On: THE WOMAN IN BLACK (2012) As a direct contrast to last month’s Unheralded Scene from FALLEN, this month we look at a scene that’s completely without on-screen dialogue. The opening scene of Jane Goldman’s 2012 adaptation of THE WOMAN IN BLACK is an object lesson in creating both an

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This script reader passed on The Inbetweeners!
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Check out this Reader who passed on THE INBETWEENERS script!

About THE INBETWEENERS script   Before we get into the cases “for” and “against” both the script reader and their report on THE INBETWEENERS script, let’s just remind ourselves what he/she was reporting on! If you’ve never heard of British TV comedy THE INBETWEENERS, you’re probably either not based in

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Denzel Washington in Fallen, unheralded scenes
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Unheralded Scene: FALLEN (1998)

Focus On: FALLEN (1998) In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy” scenes and set-pieces. It

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Room Protagonist
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OPINION: Choosing Your Protagonist

The critical acclaim, awards nominations and profoundly-felt audience reaction to ROOM highlight one of the most powerful tools in the screenwriter’s armoury – your choice of protagonist. Whether you’re writing a feature script or TV pitch or pilot, if you’ve already decided on a protagonist it’s still worth asking yourself:

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screenwriting salary - how much do uk screenwriters earn?
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A Screenwriting Salary – how much do scribes REALLY earn?

A Screenwriting Salary – how much do scribes REALLY earn? Although it’s hard to get on the screenwriting salary ladder and even harder to stay on it – let alone climb beyond the middle rung – it is possible to make a living as a screenwriter (though Herculean levels of

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Unheralded Scene: TANGERINE
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Unheralded Scene: TANGERINE (2015)

In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy” scenes and set-pieces. It might be a deleted

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Linear Storytelling
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OPINION: The Power Of Linear Storytelling

Linear Storytelling Power How important is the straight-and-narrow in screenwriting? Can so-called conformity actually get you noticed? As screenwriters, we are left to own imaginations to find ides that strike a balance between what may be fun to us and what could resonate with a wider audience. This hunt for the

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create intrigue in screenplays - the ultimate guide
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How to Create Intrigue in Screenplays – PDF Guide

How to Create Intrigue – The Screenwriter’s “Golden Goose”   To create intrigue is one of the greatest things a screenwriter can achieve. Be it via an urban rom-com, a micro-budget horror, or an $100m dollar action film, if you can create a sense of intrigue, and get that executive wanting to

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flash of genius
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Screenwriters and The Flash of Genius

Screenwriters and The Flash of Genius The other day I awoke having had the most glorious film idea I felt I had ever had. IN MY SLEEP. I dreamt it. Like a joke in a Wes Anderson film, ‘it came to me in a dream’. The entire day, and ergo

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The Insider Interviews - Humphrey Elles-Hill
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The Insider Interviews: Humphrey Elles-Hill

THE INSIDER INTERVIEWS: HUMPHREY ELLES-HILL The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist as live monthly

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Enter the Void poster
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Unheralded Scenes: ENTER THE VOID (2009)

In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy” scenes and set-pieces. It might be a deleted

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Spectre poster
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OPINION: SPECTRE & The Problem With Patchwork Narratives

Despite SPECTRE’s impressive show at the box office that has recently confirmed its place as the second highest-grossing James Bond movie of all time (after SKYFALL), Sam Mendes’ second outing with the spy franchise has hit middling reviews and tepid reactions from audiences. From screenplay analysts who’ve uncovered how SPECTRE

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Ex Machina - Science Fiction Screenplays
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Writing Science Fiction Screenplays

Writing Science Fiction Screenplays Sci-Fi is one of those odd genres – like the Western – that among script theorists often stimulates more argument about ‘defining your terms’ than it does about structure, plot or theme. It is helpful first to qualify the term ‘genre’, as film theorists and script

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Cabin in the Woods - Writing Horror Screenplays
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Writing Horror Screenplays: How to Write Teen Horror

Writing Horror Screenplays: How to Write Teen Horror From 1974’s BLACK CHRISTMAS – rightly credited with being the god-monster of the modern mainstream genre – through to every postmodern twist on the ‘final girl’ archetype, Teen Horror is now a mainstay of popular cinema. It was a cornerstone of the

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The Exorcist - Writing Horror Screenplays
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Writing Horror Screenplays: How to Write Occult Horror

Writing Horror Screenplays: How to Write Occult Horror Occult literally means ‘hidden’ so all Horror could be described as occult in the sense that all Horror deals with things that are suppressed, repressed, traditionally denied or habitually ignored. The Occult Horror sub-genre, however, specifically deals with the esoteric and magickal (as

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Typewriter - Writing Spec Scripts
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Something For Nothing – Writing Spec Scripts

Something For Nothing – Writing Spec Scripts There’s a terrific viral that periodically does the rounds where a restaurateur advertises on Craigslist for a solo musician to play in his restaurant for five nights a week, with a specific set list, in exchange for free publicity and exposure. It’s a

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Insidious - Writing Horror Screenplays
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Writing Horror Screenplays: How to Write Supernatural Horror

Writing Horror Screenplays: How to Write Supernatural Horror Supernatural Horror is perhaps the most writer-friendly of all Horror sub-genres because its effectiveness really does live on the page, rather than being hostage to practical or CGI effects (even though we should love those too!). Unlike other Horror sub-genres (Slasher, Urbanoia, Body Horror, Cannibal) Supernatural Horror

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Unheralded Scene - Monsters
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Unheralded Scenes: MONSTERS (2010)

In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy” scenes and set-pieces. It might be a deleted

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Voice-Over Header
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OPINION: When Is It The Right Time For Voice-Over?

Using Voice-Over At the beginning of a screenwriter’s career, it is likely they will be hit by a deluge of information pertaining to offer the rules of how to write a script.  Not just that – a script that sells. It is this caveat and the hope for a not-too-distant windfall that forces

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Sleeping with the Enemy - classic stalker film
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Writing the Stalker Film Screenplay

Writing the Stalker Film Screenplay Stalking is an inherently cinematic activity and it crops up everywhere, in every kind of story. Following people around (with a camera) is what film-makers do, and as soon as the camera becomes a character, it’s a stalker. Whether it’s the cop watching the villain on

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LOCKE
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The Insider Interviews: Ed Clarke

THE INSIDER INTERVIEWS: ED CLARKE The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these

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LILTING film
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The Insider Interviews: Andy Brunskill

THE INSIDER INTERVIEWS: ANDY BRUNSKILL The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. These can be listened

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