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Locke - The Insider Interviews: Paul Webster
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The Insider Interviews: Paul Webster

THE INSIDER INTERVIEWS: PAUL WEBSTER The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist as live monthly events in central

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Tallahassee has a drink in Zombieland
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GENIUS CHARACTER REVEALS: Tallahassee

In this series we look at scenes and moments where a film or TV show has revealed a great deal of character information in a short amount of screen time. ZOMBIELAND began life as a TV pilot by writing partners Rhett Reese and Paul Wernick (later behind DEADPOOL). Even in its

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Fargo - a true story?
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OPINION: This Is (Not) A True Story

This is a true story. The events depicted in this film took place in Minnesota in 1987. At the request of the survivors, the names have been changed. Out of respect for the dead, the rest has been told exactly as it occurred. The Coen brothers began their film FARGO

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Inception - Scene that Works Onscreen but Not on the Page
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10 Types of Scene that Work Onscreen but Not on the Page

It goes without saying that reading a script does not have the same sensory effect on a human being as watching a film or TV show. That’s because there are certain types of scene that can only be properly realised on screen. Sometimes the most memorable and visually impactful scenes

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The Insider Interviews: Nisha Parti
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The Insider Interviews: Nisha Parti

THE INSIDER INTERVIEWS: NISHA PARTI The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist as live monthly events in central

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Art of Misdirection
Craft

OPINION: The Art of Misdirection

** SPOILER ALERT: this article reveals key plot points from THE WITCH and THE PRESTIGE ** Holed up alone and away from the world, it can be too easy for screenwriters to forget that films are made for audiences. It’s important to consider what the audience is thinking at each point in

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Jay Cavendish in Slow West
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GENIUS CHARACTER REVEALS: Jay Cavendish

Genius Character Reveals: Jay Cavendish In this series we look at scenes and moments where a film or TV show has revealed a great deal of character information in a compressed period of screen time. It seems improbable: a Western from a Scottish writer-director, produced and shot in the UK and

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character arcs
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10 Extreme Character Arcs in Film & TV

We all know that most good characters undergo some kind of change over the course of their story. Whether it’s a change in perspective, circumstance or goal, WE as the audience feel closer to the character, having witnessed their growth.  But when audience members learn to expect character growth, it

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scope, stakes, scale, 10 Cloverfield Lane
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OPINION: Scope, Scale and Stakes

** SPOILER ALERT: this article reveals key plot points from 10 CLOVERFIELD LANE ** Scoped Out 10 CLOVERFIELD LANE is an object lesson in the canny use of scale and stakes. It’s also a brilliant example of the use of scope, one of the most effective – but often neglected

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The Insider Interviews by Industrial Scripts
British Film

The Insider Interviews: Celine Haddad

THE INSIDER INTERVIEWS: CELINE HADDAD The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist as live monthly events in

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Empire Magazine Articles For Screenwriters
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10 Great Empire Magazine Articles For Screenwriters

Empire Magazine has been a staple in the film industry for many years. The magazine, and now the website, is seen as one of the world’s leading authorities on film-related content and news. Here at Industrial Scripts we’ve trawled through the impressive back-catalogue of Empire Magazine Articles to bring you ten

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Tone
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OPINION: The Riddle of Tone

Understanding The Riddle of Tone The release of BATMAN V SUPERMAN: DAWN OF JUSTICE is an appropriate moment to talk about tone, one of the least understood tools in the screenwriter’s toolbox. In the broadest sense, tone can be classified as comic, dramatic or tragic, but even within these “master”

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V for Vendetta
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Unheralded Scene: V FOR VENDETTA (2006)

In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy” scenes and set-pieces. It might be a deleted

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The Insider Interviews: Bradley Quirk
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The Insider Interviews: Bradley Quirk

THE INSIDER INTERVIEWS: BRADLEY QUIRK The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist as live monthly

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Putting Treatments on the Couch
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How to Write a Film or TV Treatment

Putting A Film or TV Treatment on the Couch Treatments are misunderstood and undervalued. It’s time to investigate why they’re an invaluable tool in the screenwriter’s toolbox. Imagination can be the writer’s worst enemy. Imagining your story in too many genres rather than choosing one (or maybe two) and consequently

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Unheralded Scene: THE WOMAN IN BLACK
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Unheralded Scene: THE WOMAN IN BLACK (2012)

Focus On: THE WOMAN IN BLACK (2012) As a direct contrast to last month’s Unheralded Scene from FALLEN, this month we look at a scene that’s completely without on-screen dialogue. The opening scene of Jane Goldman’s 2012 adaptation of THE WOMAN IN BLACK is an object lesson in creating both an

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Denzel Washington in Fallen, unheralded scenes
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Unheralded Scene: FALLEN (1998)

Focus On: FALLEN (1998) In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy” scenes and set-pieces. It

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Unheralded Scene: TANGERINE
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Unheralded Scene: TANGERINE (2015)

In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy” scenes and set-pieces. It might be a deleted

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Linear Storytelling
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OPINION: The Power Of Linear Storytelling

Linear Storytelling Power How important is the straight-and-narrow in screenwriting? Can so-called conformity actually get you noticed? As screenwriters, we are left to own imaginations to find ides that strike a balance between what may be fun to us and what could resonate with a wider audience. This hunt for the

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flash of genius
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Screenwriters and The Flash of Genius

Screenwriters and The Flash of Genius The other day I awoke having had the most glorious film idea I felt I had ever had. IN MY SLEEP. I dreamt it. Like a joke in a Wes Anderson film, ‘it came to me in a dream’. The entire day, and ergo

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Enter the Void poster
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Unheralded Scenes: ENTER THE VOID (2009)

In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy” scenes and set-pieces. It might be a deleted

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Spectre poster
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OPINION: SPECTRE & The Problem With Patchwork Narratives

Despite SPECTRE’s impressive show at the box office that has recently confirmed its place as the second highest-grossing James Bond movie of all time (after SKYFALL), Sam Mendes’ second outing with the spy franchise has hit middling reviews and tepid reactions from audiences. From screenplay analysts who’ve uncovered how SPECTRE

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Ex Machina - Science Fiction Screenplays
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Writing Science Fiction Screenplays

Writing Science Fiction Screenplays Sci-Fi is one of those odd genres – like the Western – that among script theorists often stimulates more argument about ‘defining your terms’ than it does about structure, plot or theme. It is helpful first to qualify the term ‘genre’, as film theorists and script

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Cabin in the Woods - Writing Horror Screenplays
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Writing Horror Screenplays: How to Write Teen Horror

Writing Horror Screenplays: How to Write Teen Horror From 1974’s BLACK CHRISTMAS – rightly credited with being the god-monster of the modern mainstream genre – through to every postmodern twist on the ‘final girl’ archetype, Teen Horror is now a mainstay of popular cinema. It was a cornerstone of the

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The Exorcist - Writing Horror Screenplays
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Writing Horror Screenplays: How to Write Occult Horror

Writing Horror Screenplays: How to Write Occult Horror Occult literally means ‘hidden’ so all Horror could be described as occult in the sense that all Horror deals with things that are suppressed, repressed, traditionally denied or habitually ignored. The Occult Horror sub-genre, however, specifically deals with the esoteric and magickal (as

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Insidious - Writing Horror Screenplays
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Writing Horror Screenplays: How to Write Supernatural Horror

Writing Horror Screenplays: How to Write Supernatural Horror Supernatural Horror is perhaps the most writer-friendly of all Horror sub-genres because its effectiveness really does live on the page, rather than being hostage to practical or CGI effects (even though we should love those too!). Unlike other Horror sub-genres (Slasher, Urbanoia, Body Horror, Cannibal) Supernatural Horror

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Unheralded Scene - Monsters
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Unheralded Scenes: MONSTERS (2010)

In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy” scenes and set-pieces. It might be a deleted

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Voice-Over Header
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OPINION: When Is It The Right Time For Voice-Over?

Using Voice-Over At the beginning of a screenwriter’s career, it is likely they will be hit by a deluge of information pertaining to offer the rules of how to write a script.  Not just that – a script that sells. It is this caveat and the hope for a not-too-distant windfall that forces

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Sleeping with the Enemy - classic stalker film
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Writing the Stalker Film Screenplay

Writing the Stalker Film Screenplay Stalking is an inherently cinematic activity and it crops up everywhere, in every kind of story. Following people around (with a camera) is what film-makers do, and as soon as the camera becomes a character, it’s a stalker. Whether it’s the cop watching the villain on

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LILTING film
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The Insider Interviews: Andy Brunskill

THE INSIDER INTERVIEWS: ANDY BRUNSKILL The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. These can be listened

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Butch Cassidy and The Sundance Kid
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In Script Development Nobody Knows Anything

Nobody Knows Anything When I worked in screenplay development, I spent an awful lot of time befuddled because William Goldman had really nailed it when he said: “nobody knows anything”. Nobody does know anything and that’s what makes the world go round and round in blissful experimental ignorance and means we

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Furious 7
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Unheralded Scene: FURIOUS 7 (2015)

In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy” scenes and set-pieces. It might be a deleted

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Straight Outta Compton
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OPINION: Beginning With A Bang

Importance of Beginning With A Bang One of the most over-stated maxims when it comes to screenplays and screenwriting lies in the importance of the first ten pages. Not only is this a point that is pressed constantly home by writers, producers, consultants and anyone else who has an interest

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Yoda is wise, like our screenwriting tips article
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These are the Only Screenwriting Tips Worth Keeping

In a giant sea of screenwriting tips and advice, where does one begin? It’s almost as bad as dieting these days. Cranberries are bad for you. No, scrap that, we’ve now decided they’re good for you. Your protagonist should dominate most scenes. It’s fine for your protagonist to drift in

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screenwriting
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The Agony of Screenwriting Success

Screenwriting Success Hurts Some years ago I wrote a film that eventually I called ALBATROSS and subsequently it has been my own private albatross. I was incredibly fortunate. A series of stars lined up for me and within a year of my film even being written it was being shot with

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British IP
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10 Hollywood Films Made from British IP

Hollywood Films and British IP The wider British public are usually treated, once-a-year or so, to a slick piece of PR spin usually including the phrase “British film is booming” and citing major Hollywood releases as contributing to said boom. But the next time you sit down to watch a

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Hitchcock decisions at screenplay stage.
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Genius Hitchcock Decisions at Screenplay Stage

What hasn’t been written about Hitchcock already? From Francois Truffaut and Raymond Durgnat, to every casual message board user on IMDb, great swathes of humankind have discussed at length the directorial techniques of The Master of Suspense; the long take, use of POV, montage with a focus on hands, off-screen

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a window into an executive's script pile
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The Hierarchy of an Executive’s Script Pile

A couple of months ago I had a friend round for dinner who just so happens to be the Head of Development at one of the best TV companies in London. In a series of what appeared to be ginormous coincidences, I also just so happened to have recently completed a

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Predator
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Lessons From Timing the Death Sequence in PREDATOR

Way back when… For much of the 80’s and into the 90’s, “Schwarzenegger” was a byword for a movie with a high body count. The box office was peppered with movies such as COMMANDO, TOTAL RECALL and TRUE LIES, which would draw as much attention for the dozens of onscreen

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Crowdfunding Pitch Movies on Indiegogo
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The Top 8 Crowdfunding Pitch Movies on Indiegogo

The crowdfunding pitch film is the campaign’s secret weapon. The pitch film sits at the forefront of your ask for the crowd to fund you. The pitch film literally should be perfect and personal. It should move, involve and inspire. If those three emotions are provoked, someone just might dip

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writing advice you should ignore
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5 Bits of Famous Writing Advice You Should Ignore

You’re no stranger to getting advice if you’re a writer. Thousands of books, hundreds of films, and even entire college majors have been dedicated to the art of honing the English language. As a result, there are bound to be some bits of writing advice that come into debate. While

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Unheralded Scene - West of Memphis
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Unheralded Scene: WEST OF MEMPHIS (2012)

Unheralded Scene: WEST OF MEMPHIS (2012)   In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy” scenes

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deconstructing harry
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Unheralded Scene: DECONSTRUCTING HARRY (1997)

Unheralded Scene: DECONSTRUCTING HARRY (1997) In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy” scenes and set-pieces.

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the fisher king
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Unheralded Scene: THE FISHER KING (1991)

Unheralded Scene: THE FISHER KING (1991)   In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy” scenes

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notes on a scandal
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Unheralded Scene: NOTES ON A SCANDAL (2006)

Unheralded Scene: NOTES ON A SCANDAL (2006)   In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy”

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pi
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Unheralded Scene: PI (1998)

Unheralded Scene: PI (1998) In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy” scenes and set-pieces. It

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running on empty
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Unheralded Scene: RUNNING ON EMPTY (1988)

Unheralded Scene: RUNNING ON EMPTY (1988) In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy” scenes and set-pieces.

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Unheralded Scene - O Brother, Where Art Thou?
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Unheralded Scene: O BROTHER, WHERE ART THOU? (2000)

Unheralded Scene: O BROTHER, WHERE ART THOU? (2000)   In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy”

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Unheralded Scene - The Machine
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Unheralded Scene: THE MACHINE (2013)

Unheralded Scene: THE MACHINE (2013) In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy” scenes and set-pieces.

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