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25 Francis Ford Coppola Quotes
Articles

25 Francis Ford Coppola Quotes For Writers & Filmmakers

Francis Ford Coppola Francis Ford Coppola is one of the greatest writer-directors to come out of the so-called “New Hollywood” wave of filmmaking, having made THE GODFATHER, THE GODFATHER PART II, THE CONVERSATION, and APOCALYPSE NOW all before reaching the age of 40. Nowadays, largely satisfied with his Hollywood filmography,

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avoid cliche
Articles

How to Write “Mythically” but Avoid Cliche – PDF Guide

Writing mythically with cliché is relatively easy: watch a couple of films, read a couple of books then regurgitate the obvious stuff: quasi-religious story world, the quest, the mentor, initiation, testing, the final battle, rebirth etc. Writing mythically without cliché, by contrast, is not easy at all… In the 3rd

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James Cameron Quotes
Articles

20 Great James Cameron Quotes on Storytelling

20 Great James Cameron Quotes on Storytelling With a filmography that boasts the likes of THE TERMINATOR, ALIENS, and THE ABYSS, James Cameron is undoubtedly one of the finest genre filmmakers and storytellers the film industry has ever seen. “There are many talented people who haven’t fulfilled their dreams because

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no country
Articles

10 Almost-Great Screenplays

An almost-great screenplay can be more frustrating than a really bad one. The potential is strong and the execution is almost there, but something went wrong at the final hurdle. Of course, it’s easy to pick out flaws in retrospect or to credit (or blame) the writer for something that

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Mr Robot
Articles

OPINION: Hacking Films Don’t Have to be Boring

Computers are not the most interesting subjects. Anyone who’s had to watch someone else type very slowly into a search bar can attest to this. In a visual medium like film or TV, this frustration multiplies. When a character is shown typing, stories and scenes tend to grind to a halt.

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The Martian Mark Watney
Articles

GENIUS CHARACTER REVEALS: Mark Watney

In this series we look at scenes and moments where a film or TV show has revealed a great deal of character information in a short amount of screen time. THE MARTIAN was adapted by Drew Goddard (writer-director of THE CABIN IN THE WOODS) from the novel by Andy Weir

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inciting incidents the goonies
Articles

15 Genius Inciting Incidents by Screenwriters

15 Genius Inciting Incidents by Screenwriters You’ve created a fully developed character or series of characters and are now pondering their motivation through the narrative you’ve started to develop. Inciting incidents come in all shapes and sizes, so you should try to think of something clever, inspirational or at least interesting

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The Insider Interviews: Michael Kuhn
Articles

The Insider Interviews: Michael Kuhn

THE INSIDER INTERVIEWS: MICHAEL KUHN The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist as live monthly events in central

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Social - Quotes about the Importance of Networking in Film & TV
Articles

12 Quotes about the Importance of Networking in Film & TV

12 Quotes about the Importance of Networking No matter if you are a producer, writer or director, a would-be executive or talent agent, if you want to crack film and TV you have to make yourself known. There is no escaping the necessity of attending events, arranging meetings and introducing yourself

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Great Ingmar Bergman Quotes
Articles

20 Great Ingmar Bergman Quotes on Storytelling

One of the most influential auteurs of all time, Ernst Ingmar Bergman was born in Sweden and worked as a director, producer and writer across and theatre and screen. He directed over sixty films and documentaries, most of which he also wrote, and directed 170 plays. His most well-known films

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mid film plot twist john doe surrenders
Articles

10 Classic Mid-Film Plot Twists by Screenwriters

10 Great Mid-Film Plot Twists by Screenwriters Too often when watching a film, especially for those of us who have seen many of them, you can read where the story is going and predict what is going to happen onscreen prematurely. However, those screenwriters in pursuit of something that will

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Ned, supporting character, Groundhog Day
Articles

OPINION: Support Your Supporting Characters

While it’s true that the star system is not what it once was, actors can still have tremendous power. Many actors have their own production companies, partly as a route for finding interesting material off the beaten path of Hollywood. Look down Plan B Entertainment’s list of projects and imagine how many would have been

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Charlize Theron in Young Adult
Articles

GENIUS CHARACTER REVEALS: Young Adult

In this series we look at scenes and moments where a film or TV show has revealed a great deal of character information in a short amount of screen time. Screenwriter Diabo Cody and director Jason Reitman first collaborated on the smash hit JUNO. In 2011 they re-teamed for the indie dramedy

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taken liam neeson 750 x 400
Articles

In Screenwriting terms, what is ‘tracking’?

In screenwriting terms, ‘tracking’ refers to being able to follow or ‘track’ the logic of a premise smoothly. The moment the audience starts to think that the story does not make sense – that the logic of the premise being presented to them doesn’t “track” – their oh-so-fragile suspension of

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Secondary Characters in THE BIG LEBOWSKI
Articles

10 Classic Secondary Characters in THE BIG LEBOWSKI

The Coen Brothers‘ ability to create amazing, ultra-memorable secondary characters with only a few lines of writing  is something that all screenwriters can learn from. Consider the giant sea of utterly forgettable characters you’ve seen on-screen in your lifetime. Characters that had pages and pages and pages devoted to them,

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Locke - The Insider Interviews: Paul Webster
Articles

The Insider Interviews: Paul Webster

THE INSIDER INTERVIEWS: PAUL WEBSTER The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist as live monthly events in central

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Tallahassee has a drink in Zombieland
Articles

GENIUS CHARACTER REVEALS: Tallahassee

In this series we look at scenes and moments where a film or TV show has revealed a great deal of character information in a short amount of screen time. ZOMBIELAND began life as a TV pilot by writing partners Rhett Reese and Paul Wernick (later behind DEADPOOL). Even in its

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Fargo - a true story?
Articles

OPINION: This Is (Not) A True Story

This is a true story. The events depicted in this film took place in Minnesota in 1987. At the request of the survivors, the names have been changed. Out of respect for the dead, the rest has been told exactly as it occurred. The Coen brothers began their film FARGO

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John Ford - Storytelling Quotes
Articles

15 Classic John Ford Quotes about Storytelling

The legendary director John Ford enjoyed a remarkably long and successful career, working on over 140 films and winning four Academy Awards for Best Director. His most well known films include: STAGECOACH, THE MAN WHO SHOT LIBERTY VALANCE and THE GRAPES OF WRATH. Ford is noted for the precision of

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Inception - Scene that Works Onscreen but Not on the Page
Articles

10 Types of Scene that Work Onscreen but Not on the Page

It goes without saying that reading a script does not have the same sensory effect on a human being as watching a film or TV show. That’s because there are certain types of scene that can only be properly realised on screen. Sometimes the most memorable and visually impactful scenes

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The Insider Interviews: Nisha Parti
Articles

The Insider Interviews: Nisha Parti

THE INSIDER INTERVIEWS: NISHA PARTI The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist as live monthly events in central

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goodfellas
Articles

10 Moments Where Problem Upon Problem Hits the Protagonist

Conflict is essential in every great story. The amount and complexity of the situation can obviously vary greatly depending on the scope, settings and characters involved. In some cases, loading problem upon problem on your character(s) is important in that it shows what they are made of or it shows

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Art of Misdirection
Craft

OPINION: The Art of Misdirection

** SPOILER ALERT: this article reveals key plot points from THE WITCH and THE PRESTIGE ** Holed up alone and away from the world, it can be too easy for screenwriters to forget that films are made for audiences. It’s important to consider what the audience is thinking at each point in

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Jay Cavendish in Slow West
Articles

GENIUS CHARACTER REVEALS: Jay Cavendish

Genius Character Reveals: Jay Cavendish In this series we look at scenes and moments where a film or TV show has revealed a great deal of character information in a compressed period of screen time. It seems improbable: a Western from a Scottish writer-director, produced and shot in the UK and

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character arcs
Articles

10 Extreme Character Arcs in Film & TV

We all know that most good characters undergo some kind of change over the course of their story. Whether it’s a change in perspective, circumstance or goal, WE as the audience feel closer to the character, having witnessed their growth.  But when audience members learn to expect character growth, it

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Slings and Arrows, Geoffrey Tennant, Genius Character Reveals, Character Intro, Hamlet
Articles

GENIUS CHARACTER REVEALS: Geoffrey Tennant

Genius Character Reveals Welcome to the first of our new series: GENIUS CHARACTER REVEALS. In this series we’ll look at scenes and moments where the film or TV screenwriter/director has revealed a great deal of character information in a compressed amount of screen time. As a courtly bow in the

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scope, stakes, scale, 10 Cloverfield Lane
Articles

OPINION: Scope, Scale and Stakes

** SPOILER ALERT: this article reveals key plot points from 10 CLOVERFIELD LANE ** Scoped Out 10 CLOVERFIELD LANE is an object lesson in the canny use of scale and stakes. It’s also a brilliant example of the use of scope, one of the most effective – but often neglected

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The Insider Interviews by Industrial Scripts
British Film

The Insider Interviews: Celine Haddad

THE INSIDER INTERVIEWS: CELINE HADDAD The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist as live monthly events in

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Empire Magazine Articles For Screenwriters
Articles

10 Great Empire Magazine Articles For Screenwriters

Empire Magazine has been a staple in the film industry for many years. The magazine, and now the website, is seen as one of the world’s leading authorities on film-related content and news. Here at Industrial Scripts we’ve trawled through the impressive back-catalogue of Empire Magazine Articles to bring you ten

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Tone
Articles

OPINION: The Riddle of Tone

Understanding The Riddle of Tone The release of BATMAN V SUPERMAN: DAWN OF JUSTICE is an appropriate moment to talk about tone, one of the least understood tools in the screenwriter’s toolbox. In the broadest sense, tone can be classified as comic, dramatic or tragic, but even within these “master”

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V for Vendetta
Articles

Unheralded Scene: V FOR VENDETTA (2006)

In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy” scenes and set-pieces. It might be a deleted

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The Insider Interviews - Caroline Harvey
Articles

The Insider Interviews – Caroline Harvey

THE INSIDER INTERVIEWS: CAROLINE HARVEY The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist as live monthly events in

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writing characters
Articles

Writing Characters That FASCINATE – The Ultimate PDF Guide

The key is writing characters that – crucially – fascinate…   Writing great, multi-dimensional characters is one of the hardest – and most important – facets to successful screenwriting. The Holy Grail of characterization – beyond writing empathetic characters, or entertaining characters, or even original characters – is writing fascinating

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The Insider Interviews: Bradley Quirk
Articles

The Insider Interviews: Bradley Quirk

THE INSIDER INTERVIEWS: BRADLEY QUIRK The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist as live monthly

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Putting Treatments on the Couch
Articles

How to Write a Film or TV Treatment

Putting A Film or TV Treatment on the Couch Treatments are misunderstood and undervalued. It’s time to investigate why they’re an invaluable tool in the screenwriter’s toolbox. Imagination can be the writer’s worst enemy. Imagining your story in too many genres rather than choosing one (or maybe two) and consequently

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Unheralded Scene: THE WOMAN IN BLACK
Articles

Unheralded Scene: THE WOMAN IN BLACK (2012)

Focus On: THE WOMAN IN BLACK (2012) As a direct contrast to last month’s Unheralded Scene from FALLEN, this month we look at a scene that’s completely without on-screen dialogue. The opening scene of Jane Goldman’s 2012 adaptation of THE WOMAN IN BLACK is an object lesson in creating both an

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This script reader passed on The Inbetweeners!
Articles

Check out this Reader who passed on THE INBETWEENERS script!

About THE INBETWEENERS script   Before we get into the cases “for” and “against” both the script reader and their report on THE INBETWEENERS script, let’s just remind ourselves what he/she was reporting on! If you’ve never heard of British TV comedy THE INBETWEENERS, you’re probably either not based in

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Denzel Washington in Fallen, unheralded scenes
Articles

Unheralded Scene: FALLEN (1998)

Focus On: FALLEN (1998) In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy” scenes and set-pieces. It

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Room Protagonist
Articles

OPINION: Choosing Your Protagonist

The critical acclaim, awards nominations and profoundly-felt audience reaction to ROOM highlight one of the most powerful tools in the screenwriter’s armoury – your choice of protagonist. Whether you’re writing a feature script or TV pitch or pilot, if you’ve already decided on a protagonist it’s still worth asking yourself:

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Unheralded Scene: TANGERINE
Articles

Unheralded Scene: TANGERINE (2015)

In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy” scenes and set-pieces. It might be a deleted

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Linear Storytelling
Articles

OPINION: The Power Of Linear Storytelling

Linear Storytelling Power How important is the straight-and-narrow in screenwriting? Can so-called conformity actually get you noticed? As screenwriters, we are left to own imaginations to find ides that strike a balance between what may be fun to us and what could resonate with a wider audience. This hunt for the

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create intrigue in screenplays - the ultimate guide
Articles

How to Create Intrigue in Screenplays – PDF Guide

How to Create Intrigue – The Screenwriter’s “Golden Goose”   To create intrigue is one of the greatest things a screenwriter can achieve. Be it via an urban rom-com, a micro-budget horror, or an $100m dollar action film, if you can create a sense of intrigue, and get that executive wanting to

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The Insider Interviews - Humphrey Elles-Hill
Articles

The Insider Interviews: Humphrey Elles-Hill

THE INSIDER INTERVIEWS: HUMPHREY ELLES-HILL The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch these here. The Insider Interviews now exist as live monthly

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Enter the Void poster
Articles

Unheralded Scenes: ENTER THE VOID (2009)

In our “Unheralded Scene” series, our consultants nominate a classic film or TV scene, which in their view hasn’t received the admiration it deserves. It might be a scene from a classic movie, which has been crowded out by other, more “showy” scenes and set-pieces. It might be a deleted

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Spectre poster
Articles

OPINION: SPECTRE & The Problem With Patchwork Narratives

Despite SPECTRE’s impressive show at the box office that has recently confirmed its place as the second highest-grossing James Bond movie of all time (after SKYFALL), Sam Mendes’ second outing with the spy franchise has hit middling reviews and tepid reactions from audiences. From screenplay analysts who’ve uncovered how SPECTRE

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Ex Machina - Science Fiction Screenplays
Articles

Writing Science Fiction Screenplays

Writing Science Fiction Screenplays Sci-Fi is one of those odd genres – like the Western – that among script theorists often stimulates more argument about ‘defining your terms’ than it does about structure, plot or theme. It is helpful first to qualify the term ‘genre’, as film theorists and script

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Cabin in the Woods - Writing Horror Screenplays
Articles

Writing Horror Screenplays: How to Write Teen Horror

Writing Horror Screenplays: How to Write Teen Horror From 1974’s BLACK CHRISTMAS – rightly credited with being the god-monster of the modern mainstream genre – through to every postmodern twist on the ‘final girl’ archetype, Teen Horror is now a mainstay of popular cinema. It was a cornerstone of the

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The Exorcist - Writing Horror Screenplays
Articles

Writing Horror Screenplays: How to Write Occult Horror

Writing Horror Screenplays: How to Write Occult Horror Occult literally means ‘hidden’ so all Horror could be described as occult in the sense that all Horror deals with things that are suppressed, repressed, traditionally denied or habitually ignored. The Occult Horror sub-genre, however, specifically deals with the esoteric and magickal (as

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Insidious - Writing Horror Screenplays
Articles

Writing Horror Screenplays: How to Write Supernatural Horror

Writing Horror Screenplays: How to Write Supernatural Horror Supernatural Horror is perhaps the most writer-friendly of all Horror sub-genres because its effectiveness really does live on the page, rather than being hostage to practical or CGI effects (even though we should love those too!). Unlike other Horror sub-genres (Slasher, Urbanoia, Body Horror, Cannibal) Supernatural Horror

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