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The Rafn Column Part III Screenwriting – Hope Springs Eternal When I worked as a Development Executive, the most terrifying thing I ever had to do was fly to LA on my own to do a round of meetings to build relationships with the US agents, scout for sitcom showrunners
Nobody worships more reverently at the altar of screenwriting than us. We believe in The Screenplay. We recognise it as the critical component in whether a film or TV shows lives, or dies. In its own right, we recognise that crafting a superior screenplay is a magnificent feat in itself –
The script, the script, the script… I have always had a love affair with scripts. I love, love, love them. Love them warm coming off the printer, love the font that echoes the old Hollywood era when they would have been bashed out by men in high waisted trousers on
Sceptical of Script Hosting Sites “I’ve barely got enough time for my existing clients, let alone trawling around websites looking for more” – Prominent UK lit agent. We’re not going to lie, here at Industrial Scripts one of the toughest parts of our work is gaining industry traction for our
With the arrival of GODZILLA at your local multiplex you might be thinking it’s time to get writing some monster movies of your own — how hard can it be, right? But while GODZILLA may have roared onto screens large and small over 200 times since the mid 60s, quantity
Where is the celebrated female talent? Where is the celebrated female talent in screenwriting & directing? Recent figures cast a gloomy picture; employment of women in film and TV has fallen to 15 year lows; only two female directed films cracked 2013’s Top 100 Box Office, with Kimberley
13 Stereotypes of the British Film Industry: True or False? Does the British film industry produce the best talent? Does the land of Shakespeare respect the writer? Is anything happening outside of London? Industrial Scripts assesses perceptions of the UK film industry – where do you stand on the following
After years of hard labour, you birth your fledgling screenplay Little Miss Sunshine to the world, the film grosses $100m and you take the reins to the Star Wars Empire (the writing side of things, not the keys to a Death Star). Congratulations, you are Michael Arndt. But such debut
One of the questions we’re asked most at Industrial Scripts is, “how do I build a career in script development?” It’s not an exact science by any means, but the key to getting ahead in development is to pay your dues. The blunt truth is that Ridley Scott is not
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