12 Things Screenwriters Can Learn from Musicals I recently ventured from my comfortable world of screenwriting into completely new territory. No, I’m not acting– I’m working on a stage musical. The process has involved late nights, rewrites, and brainstorming until I think I’ll explode. Yet despite the artistic suffering, writing a musical has taught
Author: Tom Williams
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THE NEWSROOM This post started as a tweet, developed into a Facebook status and is now finding full expression as a blog post. recently I finished, in a double-bill, The Newsroom Season 3 (and, by extension, The Newsroom). Some observations: The Observations 1. Humbug to the naysayers. So it’s
The MUST is for effect. You don’t have to do anything, particularly buying screenwriting books in such volume that the Amazon driver knows you by name . But you’re a writer, you already know that. A more accurate title for this article would be “Books THIS Screenwriter Owns And Which
Even the notion of screenwriting rules gets some people into a serious tizz, and it’s this controversial topic I want to explore this week. I’ve spent the last three weeks watching my new film Kajaki (out on Friday in the UK at all Vue Cinemas) over and over again, either
In Screenwriting, the truth matters… Today we’re going to talk about The Truth. Not this sort of truth. Or this. Or even this. We’re going to talk about the kind of screenwriting truth that connected six out of the nine Best Picture nominees in the 2014 Oscars. The kind that
What I’ve Learnt about Screenwriting: Part 1, The Idea So I’ve been doing this for a while now, and for some reason I feel a powerful, hubristic, intimations-of-mortality urge to communicate nuggets of web-friendly wisdom to all you aspiring screenwriters out there, who will no doubt be stealing jobs from me this