In screenwriting terms, ‘tracking’ refers to being able to follow or ‘track’ the logic of a premise smoothly. The moment the audience starts to think that the story does not make sense – that the logic of the premise being presented to them doesn’t “track” – their oh-so-fragile suspension of disbelief risks shattering. The world of the main character or the situation they find themselves in can be as extreme as possible, provided that the writer has given the audience
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