Mastering the basics is an essential step in any screenwriter’s career progression – and yet many aspiring screenwriters forego very simple script choices which would make their projects stand out from the swirling mass of unfilmable spec scripts.
“What we can learn from…” type articles.
Fertile stories and multi-faceted characters will only take a script so far if the writer cannot repeatedly craft memorable and compelling framing scenes. Industrial Scripts looks at Ewan McGregor …
Mastering the basics is an essential step in any screenwriter’s career progression – and yet many aspiring screenwriters forego very simple script choices which would make their projects stand out from the swirling mass of unfilmable spec scripts.
As our article on Jeffrey Katzenberg highlighted, gathering industry intel is vital for making it in this business. Industrial Scripts looks to the best Twitter Screenwriting resources – from box office numbers, to job opportunities and just plain amusing screenwriters given a voice. Of course, there’s also our own @Indust_Scripts account to follow…
Jeffrey Katzanberg From bringing STAR TREK to the big screen, reviving Disney’s fortunes in the 80s and 90s, to being the K in Dreamworks SKG, Jeffrey Katzenberg has been a …
“You can make the movie or you can make excuses”
The path from script to screen is often torturous – but made longer when excuse making and defeatism set in. Industrial Scripts looks at common film industry excuses and defences no writer should be making – and how to overcome the seeming obstacles.
“I can tell you I don’t have money. But what I do have are a very particular set of skills; skills I have acquired over a very long career. Skills …
With the box office increasingly dominated by big budget ‘Four Quadrant’ movies, squeezing out mid-budget releases, Industrial Scripts looks at the recipe for quadrant movies’ success in that seemingly …
In America, screenwriters can earn an average annual wage of $77,260. At least, that’s what the Bureau of Labour Statistics tells us. The evidence is there: Bill Marsilii and Terry Rossio earned …
This is a brilliant page from the Knight Hall Literary Agency – one of the UK’s leading screenplay agent company who are representing screenwriters, directors and authors.
It’s essential reading for screenwriters in particular, and while there are some extreme (true life!) examples below, general etiquette and knowing how to deal with a screenplay agent and industry people in such a way that they think “wow, I could really work with that person” is incredibly important.
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