One of the major exceptions to the oft-repeated “show, don’t tell” screenwriting rule is the equally common received wisdom that screenplays should avoid using flashbacks. The criticisms are familiar from scores of screenwriting books. They weaken the dramatic tension, breaking up the momentum of the story to show the audience things that they either know or can work out. They’re a lazy way of revealing backstory. However sometimes, albeit rarely, a story absolutely needs flashbacks. The difficulty is in telling the difference.
Read more
Members only
This article continues in our Members Area
Join SCREENWRITING: EVOLVED for full access to 700+ guides, whitepapers, the script library, industry interviews and much more.
Join SCREENWRITING: EVOLVED — just $9.99/month
Cancel any time · No commitment