One facet of screenwriting which causes writers enormous headaches is conveying a lot with a little. Studying great minor characters is one way of learning this kind of efficiency.
Minor Characters To Finer Characters
The best minor characters can be just as rich as main characters. Ideally they should feel like they exist and live entire lives, even when the camera is not on them.
They can be used to reinforce themes, to complement or contrast the protagonist‘s arc, or to motivate plot. Here are ten minor characters who have great arcs that deeply enrich the films they appear in.
10 Minor Characters With Great Arcs
1. Donald Breedan (Dennis Haysbert), HEAT
- Breedan is introduced trying to go straight, working as a short-order cook.
- When he’s offered a one-off driving job for a bank heist, he accepts and quits, throwing his boss to the floor.
- When the heist goes wrong, he’s the first casualty.
- His supportive partner fears the worst watching on TV.
Michael Mann’s crime epic is full of brilliantly realised minor characters, not least Donald Breedan. The speed with which he accepts Neil’s (Robert DeNiro) offer shows how little the non-criminal world has to offer people like him. For his enthusiasm, however, he pays the ultimate price. It raises the question of whether anyone truly can leave a life of crime behind.
2. Nancy (Joan Allen), ROOM
- Jack wakes up, having escaped along with his mother, Joy, from captivity.
- Nancy, Joy’s mother, takes them home. She suggests cutting Jack’s hair, but he says his hair is his strength.
- When Joy attempts suicide, Jack is left alone with his grandmother.
- Jack asks Nancy to cut his hair, wanting to give it to Joy to give her strength. He tells her he loves her.
ROOM, like the book it’s adapted from, is told from Jack’s perspective. This means some scenes unfold in unexpected ways or aren’t shown at all. For example, some of Nancy’s reunion with Joy isn’t shown because Jack is asleep.
Joy’s return to the world is traumatic for everyone. It forces Nancy to deal with her non-supportive ex-husband, her suicidal daughter and her grandson, who’s resentful of leaving room, his home. Much of this story, however, unfolds in the background.
3. Yvonne (Jessica Stevenson), SHAUN OF THE DEAD
- Yvonne bumps into her old friend Shaun. While he works a dead-end job and still lives with flatmates from university, she tells him she just bought a house and feels grown up.
- After the zombie outbreak, Yvonne and her group of survivors bump into Shaun and his group.
- Yvonne accompanies a group of soldiers systematically killing the remaining zombies. They rescue Shaun and Liz in the process.
Yvonne’s arc contrasts Shaun’s. Shaun isn’t grown up at all, and his efforts to save his friends and family actually make things worse, causing most of them to die. When they meet again in the middle of the film, her group appear to be faring much better than his.
At the end, however, she appears to be the only survivor. This suggests that maybe Shaun hasn’t done such a bad job after all.
4. Peter Guillam (Benedict Cumberbatch), TINKER TAILOR SOLDIER SPY
- Peter and Bill Hadyn (Colin Firth) “check out” the new secretary. He declines her advances.
- Peter talks to a guard, who asks him about his family.
- Smiley (Gary Oldman) tells Peter to tidy up what he needs to.
- Peter enters a flat and, it can be inferred, breaks up with a man. He leaves and Peter is left alone, crying.
In a very short amount of screentime, Peter Guillam’s hidden homosexuality and his tragic arc have a highly emotional impact on the audience. In a film where characters play everything very close to their chests, it’s a rare moment of pure vulnerability.
That Peter is forced to choose between his personal and professional life reflects the choice other characters, including Smiley, faced years ago.
5. Truman’s father (Brian Delate), THE TRUMAN SHOW
- Truman (Jim Carrey) remembers his father dying at sea.
- Truman sees a homeless man on the street who resembles his father.
- Eventually, Truman finds the homeless man and is reunited with his father. Cristof (Ed Harris), the mastermind behind the reality show that is Truman’s life, films the whole thing.
- Truman’s father promises to make up the lost years.
THE TRUMAN SHOW is constantly playing with what it means for an emotion or an experience to be genuine. The unscripted reappearance of his father threatens to derail Truman’s world, and Cristof tries to stop it by any means possible.
His father can no longer live the lie, as he was hired to do, and wants a real relationship with Truman. However in order to get close to him, he’s presumably made an agreement behind the scenes to have this reunion filtered through a TV event, allowing his real emotions to be co-opted and turned into semi-scripted entertainment.
6. Brooks Hatlen (James Whitmore), THE SHAWSHANK REDEMPTION
- The Warden (Bob Gunton) assigns Andy Dufresne (Tim Robbins) to work with Brooks in the prison library.
- Brooks, about to be paroled, threatens to kill another prisoner. Andy calms him down.
- Brooks is paroled. He goes to a halfway house. Unable to cope with the outside world, he commits suicide.
There are many dangers in the prison in THE SHAWSHANK REDEMPTION, but it’s the idea of being “institutionalized” that’s perhaps the most disturbing.
Brooks, introduced as a kind and gentle old man, ultimately will go to any lengths to avoid leaving prison, to avoid coping with the real world. Minor characters like Brooks are a stark reminder of the future Andy and Red face.
7. Commodore Norrington (Jack Davenport), THE PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL
- Commodore Norrington arrests Captain Jack Sparrow (Johnny Depp).
- Norrington refuses to take action to rescue Elizabeth after she is kidnapped by pirates.
- Later, Norrington sees Elizabeth’s smoke signal and rescues her. She agrees to marry him if he helps rescue Will.
- After the climactic battle, they return to Port Royal to execute Jack. Will rescues him and Elizabeth declares her love for Will, to Norrington’s disappointment.
Commodore Norrington is a stuffy establishment figure. Minor characters like him are normally just there to make the pirate characters look more exciting. Compared to Barbarossa (Geoffrey Rush), he’s not even that significant as an antagonist.
However, his arc becomesas important as that of any other character. At the end of the film, rather than pulling his rank, he chooses to let Elizabeth go so she can marry Will. He also gives Jack Sparrow a day’s head start.
Over the story, he has gained a newfound appreciation for pirates and their code even if, officially, he still opposes them.
8. Zack “Zack-Attack” Mooneyham (Joey Gaydos, Jr.), SCHOOL OF ROCK
- Dewey (Jack Black), a fraudulent substitute teacher, chooses Zack to play lead guitar in his band made up of private school kids.
- Dewey sees Zack’s father giving him a dressing down about rock music and neglecting his studies.
- In class, Zack reveals he’s written a song.
- After the kids persuade Dewey to go through with the battle of the bands he wanted to enter, he decides they should play Zack’s song. They win over the crowd, including Zack’s father.
One of the triumphs of SCHOOL OF ROCK is how quickly and effectively it portrays the struggles the kid characters face, most of which are minor characters. All it takes is that one overheard interaction between Zack and his father to establish everything the audience needs to know about his home situation and the pressure he’s under.
Zack, like Dewey, finds his refuge in rock music, and his passion helps heal his relationship with his father.
9. Osgood Fielding III (Joe E. Brown), SOME LIKE IT HOT
- Osgood Fielding III, a rich bachelor, pursues Geraldine, who’s really Jerry (Jack Lemmon) in disguise along with his friend Josephine, a.k.a. Joe (Tony Curtis).
- Osgood takes her to dinner and dancing and gives her gifts and flowers. Soon they are engaged.
- When gangsters pursue Jerry and Joe, they use Osgood’s yacht to escape.
Osgood Fielding III positively steals the show, no small feat when surrounded by such gifted comic players.
Like the other rich bachelors of his ilk, Osgood is in Florida to find himself a wife, partly at his mother’s insistence. When he sees Geraldine, however, his plans change. He plays a long game, the goal of which is not immediately clear but is definitely hilarious.
The iconic final line, “Nobody’s perfect,” turns the tables on Jerry, who thought he was taking advantage of Osgood for his money, and the audience.
10. Mary (Dee Wallace), E.T. THE EXTRA TERRESTRIAL
- Mary doesn’t believe that her son Elliot (Henry Thomas) has seen an alien creature. He insists that his father, who she’s recently divorced, would believe him.
- Elliot and Gertie (Drew Barrymore) hide E.T. from Mary.
- When a sick E.T. is revealed to Mary, she insists they leave him behind.
- Elliot and E.T. escape to send him back home. Mary and Gertie find them with E.T.’s ship and Mary lets Gertie say goodbye.
Like ROOM, E.T. THE EXTRA-TERRESTRIAL is told from a child’s perspective. However, this doesn’t mean the adult world or its minor characters have lost any of their complexity.
After a difficult divorce, Mary is navigating the tricky responsibilities that come with being a single parent. She ultimately comes to trust and support her son, who is growing into a young man.
Struggling with a script or book? Story analysis is what we do, all day, every day… Check out or range of services for writers & filmmakers here.
Get *ALL* our FREE Resources
Tackle the trickiest areas of screenwriting with our exclusive eBooks. Get all our FREE resources when you join 60,000 filmmakers on our mailing list!