Month: October 2017

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faye ward
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The Insider Interviews: Faye Ward

THE INSIDER INTERVIEWS: FAYE WARD The Insider Interviews series started in 2010 as a set of recorded interviews, featuring the likes of Tom Hiddleston, Gareth Unwin, who produced THE KING’S SPEECH, Ben Wheatley and Hossein Amini, the Oscar-nominated writer of DRIVE and THE TWO FACES OF JANUARY. You can watch

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literary agents
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The 10 Best Literary Agents for Writers & Filmmakers

The 10 Best Literary Agents for Writers & Filmmakers   As a screenwriter, it can be confusing navigating the multitude of literary agents out there. Big or small, almost all literary agents won’t accept unsolicited material. Many specify that unsolicited material will be returned or destroyed unread, in order to

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Theo Faron in Children of Men
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GENIUS CHARACTER REVEALS: Theo Faron (CHILDREN OF MEN)

In our Genius Character Reveals series we examine scenes and moments where a film or TV show reveals a tremendous amount of character information in a compressed amount of screen time. This instalment focuses on Theo Faron (Clive Owen), the weary and reluctant hero of Alfonso Cuarón’s prescient dystopian thriller CHILDREN

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great dialogue subtext
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OPINION: Great Dialogue is All in the Subtext

Writing great dialogue is difficult, but one way to get a step closer is through the use of subtext. Subtext, literally what is below the text, is the deeper implication behind the surface meaning. Dialogue is not the same as real speech. Dialogue is inevitably heightened, even if it’s simply a

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american beauty narrative momentum
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How To Generate Narrative Momentum in Screenplays

There’s a great quote from F. Hauser and R. Reich that states: “In all the best material, the outcome is inevitable and inherent in the opening moment and every moment inbetween”. Think how fated Daniel Plainview’s rise to power and fall into corruption feels throughout THERE WILL BE BLOOD or

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