Writers at the start of their career have a lot to contend with. For one, they get called ’emerging’, something better done from swamps or during childbirth than at the start of a creative endeavour. For another, they’re faced with the issue of criticism, specifically where to turn for a fresh pair of eyes and the analysis they need to push a script further. Clearly, this is the gap that script coverage aims to fill, and there’s a lot written
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